Exhibits
2026 Exhibits
State of the Art 2026
Viewpoints 2026
Strother Onnie: Forgotten Things, Forgotten Times
Good Works 2026
Freedom
Wendy Letven: Integrating Elsewhere
2025 Exhibits
Not Just Set In Stone
Things We Carry: A Contemporary Asian Experience
Martine Kasmin: Resurfacing
Viewpoints 2025
Denis Orloff: A Journey through Painted Landscapes
Good Works
Strength and Resilience
Katie Truk: Macro vs Macro
2024 Exhibits
Dwelling In Hope
Donna Grande: Evolving Origins & Liminal Perceptions
Inspired by Family & Community
State of the Art 2024
Text
Viewpoints 2024
Yvette Lucas: Second Nature
Black and White Imprint
Marsha Heller: Impressions from Nature
Across The Line
2023 Exhibits
The Life and Culture of Modern Day Latinidad
Inspired by the Weight of an Object
I AM HERE
State of the Art 2023
Critique Group Showcase 2023
ViewPoints 2023
Local Materiality
Rhythm and Blues
2022 Exhibits
On the SURFACE
Pages
Inspired by George Inness
It’s Academic
State of the Art 2022
Critique Group Showcase
ViewPoints 2022
Mujeres del 2021
2021 Exhibits
Absolute Abstraction
Inspired by an Object
State of the Art 2021
ViewPoints 2021
Womyn’s Werq
Privilege, Power, and Everyday Life
2020 Exhibitis
ViewPoints 2020
Inspired by Dance
State of the Art 2020
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Exhibits
2026 Exhibits
State of the Art 2026
Viewpoints 2026
Strother Onnie: Forgotten Things, Forgotten Times
Good Works 2026
Freedom
Wendy Letven: Integrating Elsewhere
2025 Exhibits
Not Just Set In Stone
Things We Carry: A Contemporary Asian Experience
Martine Kasmin: Resurfacing
Viewpoints 2025
Denis Orloff: A Journey through Painted Landscapes
Good Works
Strength and Resilience
Katie Truk: Macro vs Macro
2024 Exhibits
Dwelling In Hope
Donna Grande: Evolving Origins & Liminal Perceptions
Inspired by Family & Community
State of the Art 2024
Text
Viewpoints 2024
Yvette Lucas: Second Nature
Black and White Imprint
Marsha Heller: Impressions from Nature
Across The Line
2023 Exhibits
The Life and Culture of Modern Day Latinidad
Inspired by the Weight of an Object
I AM HERE
State of the Art 2023
Critique Group Showcase 2023
ViewPoints 2023
Local Materiality
Rhythm and Blues
2022 Exhibits
On the SURFACE
Pages
Inspired by George Inness
It’s Academic
State of the Art 2022
Critique Group Showcase
ViewPoints 2022
Mujeres del 2021
2021 Exhibits
Absolute Abstraction
Inspired by an Object
State of the Art 2021
ViewPoints 2021
Womyn’s Werq
Privilege, Power, and Everyday Life
2020 Exhibitis
ViewPoints 2020
Inspired by Dance
State of the Art 2020
Cart
Main Website
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Mariette boerstoel: Music was my first love
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Marisol Ross: Spike Lee
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Mark Harris: Curve
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Matt Roberts: Out My Bedroom Window 3
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Mike Caro: Untitled by Mike Caro
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Mina Smith: Standing Alone
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Miriam Jacobs: Searching Above, Beneath, and Behind #2
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Nancy Blankenhorn: Secrets Under a Full Moon
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neal korn: Oak Ridge
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Niesha Taylor: Meander
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Odessa Whitlock: Stuck in 2005
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Pam Malone: DAFFODILS
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Pamela Moore: “The New Yorker Magazine Covers”/George
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Patrick McCoy: Quill Guardian
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paul jervis Jervis: April at Wyandanch
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Paul Schmitz: Diptych No. 2
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Paulina Olivares: Pampas
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Peter Tilgner: Five Chairs
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Phil Cantor: Bagpiper
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Rebecca Rosenheck: Glowing Leaves
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Reshma Gorde: Fay Canyon
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Richard Freeman: Jitterbug
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Robert Mickens: Qutb Minar, India 2026
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Robin Cross-Keller: Dickens Duo
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Robyn Burns: Twilight Zone at Warren Place
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Sean Gillis: Busy Work
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Shoshana Kertesz: Central Park in the Fall
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Sonia Rapaport: Copper Blue Moon
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Stanley Gavidia: welcome to the machine
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Stephen Adubato: No Mail
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Steven Cummings: Vintage Beefcakes # 8
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Steven Kushner: Looking to the Sea
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Terri Binder: Sentinels
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Terri Rosenblum: Pops Unwrapped
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tina ybarra: Pretty Popullution
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Veda Kagabo: Coral reefs – Puerto Galéra
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william davis: Doonagore Castle
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Yuliya Parshina-Kottas: Mountains
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