I’ve always had a connection with George Inness’ Winter Moonlight (Christmas Eve). The lone figure feels both a solemn yet peaceful at the same time. The walking into what feels like a dark unknown connected me to the prompt “ the reality of the unseen “ .In my artwork, I took the idea of the landscape in 1866- and imagined that same landscape 100 years after. Collaged over an up-cycled canvas, are articles from 1958 warning about global warming and its reality. By recreating Inness’ painting with a dystopian monochromatic