• Exhibits
    • 2025 Exhibits
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website
smi@studiomontclair.org
Studio Montclair Online GalleryStudio Montclair Online Gallery
  • Exhibits
    • 2025 Exhibits
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website
Heather Stivison: Meeting Expectations

Heather Stivison: Meeting Expectations

SKU: 2020MBR00072.

Meeting Expectations was created in response to the 100th anniversary of the 19th amendment. While acknowledging and celebrating the progress in women’s empowerment over the past 100 years, the work observes that much remains to be done. Recognition of the “me too” movement and struggles for equal pay underlie this work. It especially speaks for silent voices of all those who self-identify as female, and asserts their rights to live without restraints of suffocating societal expectations. In Meeting Expectations, the deliberate use of fabric and threads references generations of anonymous, poorly-paid women laboring in the Garment District. It also acknowledges the proscribed existence and long history of middle- and upper-class women as pretty, decorative, and relegated to the “acceptable” occupation of needlework with thoughts silenced. Meeting Expectations reclaims the craft of sewing for a new purpose. Here, an embroidered woman’s face does not meet popular culture’s idea of attractive. She has an uneven, plain face, unstylish hair, and silent pursed lips–literally sewn shut. Stitches run up her chest and neck as unseen blood flows to her head, while randomized stitches on her face suggest the tingle of nerve endings below. A sewer’s dress-dummy looms over her—an idealized woman’s shape–yes–and one with no head at all.

Category: Artist Member. Tags: fiber, representational.
0
Share
  • Description
  • Additional information
  • Reviews (0)

I am a former museum director and emerging interdisciplinary artist, working in watercolor, acrylics, oils, or fiber.   My most recent works explore the “the feminine sublime,” which feminist scholar Barbara Freeman describes as “womb-centric.” Freeman suggests that the endless cyclic movements of waves and tide, and the dark mystery that surrounds us as we descend into the unfathomably deep ocean are symbolic of the womb. This link is strengthened by the fact that all life originated in the ocean, just as human life originates in the womb. We are water-based creatures and we develop into our human form protected by the water in our mothers’ wombs. 60% of our human bodies is composed of water. Each night, we exhale water into the air around us. When we are overwhelmed by emotion, salty water overflows our eyes and slides down our cheeks.

The sublime has been described as signifying “unpresentable excess,” something beyond our understanding, something limitless and overwhelming at first sight. My paintings use the limitless, mysterious qualities of water as a metaphor for introspection, for “going deep” to listen to the sounds within ourselves. When we leave the solid footing of the earth to plunge into the ocean, we float weightlessly, we block out the noise of civilization, we experience something new and deep that we cannot experience in the everyday man-made world. It can be peaceful and calming, or overwhelming and terrifying. So too, is the experience going deep into our psyche. We can find peace in deep meditation when we block out the noise of our everyday lives. We also can go deep into our own minds to hear the noise within ourselves. Becoming fully aware of the traumas and memories that are buried deep within in our psyches can also be a deeply disturbing experience.

I am interested in using the theme of water as a springboard to consider these experiences, and to observe the conflicts between the rectilinear, finite, neatly organized world of our everyday lives, and the limitless, amorphous, mysterious, chaotic unknown in the depths of the oceans, and the hidden depths of our souls.

Dimensions 36 × 19 in
Price

$2, 000

Reviews

There are no reviews yet.

Be the first to review “Heather Stivison: Meeting Expectations” Cancel reply

Your email address will not be published. Required fields are marked *

Related products

Read more View Details

Theda Sandiford: Caribbean Friendship Bracelet

ViewPoints 2020
3
Read more View Details

Joan Diamond: Untitled

Artist Member
0
Read more View Details

Monica Camin: Uprooted

ViewPoints 2020
4
Read more View Details

Joan Diamond: Covid #2

State of the Art 2021
2

We want to hear from you!

Send us an email and we'll get back to you, asap.

Send Message
Our Mission

Studio Montclair is an inclusive, nationwide non-profit organization of exhibiting, professional and emerging artists and others interested in the visual arts. The mission of the organization is to promote culture, education, equality, and tolerance through art. Studio Montclair is committed to diversity at every level.

DONATE
JOIN OUR MAILING LIST
GALLERY LOCATIONS

LEACH GALLERY
641 Bloomfield Avenue
Montclair, NJ
hours posted on the webite

ACADMEY SQUARE GALLERY
33 Plymouth Street,
Montclair, NJ
hours: Mon-Fri, 7am-7pm; Sat/Sun 7am-4pm

CONTACT INFO
  • Studio Montclair Inc
  • Mailing Address: 127 Bloomfield Ave., Montclair, NJ 07042
  • 862 500-1447
  • smi@studiomontclair.org

Support for Studio Montclair Inc. is provided in part by funds from the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts and administered by the Essex County Division of Cultural and Historic Affairs.

© 2025 Studio Montclair Inc.

  • Exhibits
    • 2025 Exhibits
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website