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Christy O'Connor: Don't Fucking Touch Me

Christy O’Connor: Don’t Fucking Touch Me

SKU: 2021-00028.

‘Terms of Endearment’ is a series of work based on my personal inner monologue as I process and internalize the micro aggressions and unwanted advances or attention from men. This piece is part of a body of work that is a self portrait series, I have used photo transfer to collage onto acrylic paintings.

Category: PrivilegePower. Tags: Collage, digital, Mixed Media, Photography.
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My mission is to malfunction and destroy civilization…
Christy E. O’Connor commits her practice to the examination of gender, cultural norms, social class, religion and politics, history and perception. She considers how these societal elements are interconnected, and the role these underlying factors play within our daily lives, both contemporarily and throughout history.
As an artist, she seeks to drive dialog on difficult subject matter that challenges the belief systems and preconceived notions dominated by a patriarchal lens.
She continuously explores materials, processes, and genres in order to express her point of view. Her vision and message often influences her use of materials and execution, from mixed media works or sculptural forms, to performative acts and written musings.
Her work often employs elements of the surreal, generating raw visceral imagery that often confronts the viewer unapologetically, as she deconstructs the narratives we have been socially conditioned to believe. Her work is often unsettling and subversive; at times cheeky, satirical, and humorous.

Resume:
O’Connor received a BA in Visual Art from Ramapo College of New Jersey, where she studied studio art, photography, and education. She has participated in professional development programs and studio residencies, including Creative Capital at Artworks (Trenton, NJ) and AlterWork Studio (LIC, NY). Solo exhibitions and installations include Victim Shame, Body Blame and Tea Time in Turbulence (2020), Dusklit (2016-2018), Treacherous Women (2018), Vacant Memories, Absent Dreams (2018).

size

16in20in approximately

medium

Acrylic, fake flowers, glitter, photo transfer

Website

https://christyoconnorart.com/

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  • Exhibits
    • 2025 Exhibits
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
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