This piece God’s Eye’s consists of digitized paper collages to create a one cohesive work. The woman’s eyes are the heart of the composition. She is God. The circular movement is female energy. Red pushes against and blurs the narrative of “heaven” and “hell”; “good” and “evil”; “birth” and “death” as constructive in Judeo-Christian iconology.

Dr. Antoinette Ellis-Williams is Chair and Professor of Women’s & Gender Studies at New Jersey City University. She is a Jamaican multi- media abstract contemporary artist, and poet. Her new work BURN: Identity, Reality and Healing Black women just presented “BURN Phase 1 Installation/Origins & Activism”, Akwaaba Gallery. Recent exhibitions include, Newark Art Festival, CLIO Art Fair, “The Art of Protest”, NYC; “The 2021 NJ Arts Annual ReVision & Respond”, Newark Museum; Neopoprealism Press, THIRD PLACE WINNER International Online Competition; “Works on Paper”, LBIF Exhibition. Juror, Lanka Tattersall, Curator of Drawings and Prints at MoMA. Her one woman play Scarf Diaries won BEST play at the reg. e. gaines 2021 Downtown Urban Art Festival in NYC. Her documentary Lee Hagan: Connecting Generations won best short documentary at the Newark Black Film Festival. Her TedX Talk Finding Justice in the Land of the Free tried to unpack her immigrant status in America. She earned her Ph.D., Cornell University.