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Andrea Epstein: Floating Windows 11

Andrea Epstein: Floating Windows 11

SKU: 2022-134.

Hand Colored Serigraph

Category: StateoftheArt2022. Tag: Printmaking.
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I work out of an abstract expressionist tradition. I have always tended toward abstraction because I?ve preferred to embark on the creative journey without preconcieved notions of the outcome, thus allowing me room for real exploration. I use several printmaking techniques in combination to achieve a textural surface that incorporates many calligraphic marks and superimposes them over a landscape of organic forms. By layering a series of complex, transparent images where things go in and out of focus, I create an ambiguous space. My aim is to create an image that reveals itself slowly over time as opposed to being accessible all at once. Collage has been an important part of my work for a long time now. I love to work on paper. Sometimes my pieces have actual collaged elements in them ? whether paintings or prints. But mostly its the principle of combining fragments of different images and marks so that the composite parts create a whole image. My processes are labor intensive and varied. Often, a single work combines multiple printmaking processes before I go back in and work images with hand embellishments. It is the combination of different printmaking processes (collagraphs, linocuts, monotypes, screenprints, and/or computer generated printed images) with painting and drawing techniques which allow me to achieve a rich surface, intense color and strong bold images. Texture is also very important to the work. By working in a medium that allows me to create multiples, I can take a single image through a variety of permutations, and watch the evolution of my ideas. Though the work is clearly abstract and I intend no literal interpretation, I consider most of the images to reflect an inner landscape

medium

Serigraph

Website

http://andreaepstein.com

size

31X28 inches

price

$750

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  • Exhibits
    • 2025 Exhibits
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website