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  • Exhibits
    • 2026 Exhibits
      • Viewpoints 2026
      • Strother Onnie: Forgotten Things, Forgotten Times
      • Good Works 2026
      • Freedom
      • Wendy Letven: Integrating Elsewhere
    • 2025 Exhibits
      • Not Just Set In Stone
      • Things We Carry: A Contemporary Asian Experience
      • Martine Kasmin: Resurfacing
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
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      • Inspired by George Inness
      • It’s Academic
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      • Inspired by an Object
      • State of the Art 2021
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Alison Deas: Cobalt

Alison Deas: Cobalt

SKU: sota-2024_27.

$450.00

Category: State of the Art 2024.
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  • Description
  • Additional information

The Democratic Republic of the Congo exploiting children for Cobalt.

size

16in x20in
medium

Paper, ink
price

$450.00

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Studio Montclair is an inclusive, nationwide non-profit organization of exhibiting, professional and emerging artists and others interested in the visual arts. The mission of the organization is to promote culture, education, equality, and tolerance through art. Studio Montclair is committed to diversity at every level.

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  • Exhibits
    • 2026 Exhibits
      • Viewpoints 2026
      • Strother Onnie: Forgotten Things, Forgotten Times
      • Good Works 2026
      • Freedom
      • Wendy Letven: Integrating Elsewhere
    • 2025 Exhibits
      • Not Just Set In Stone
      • Things We Carry: A Contemporary Asian Experience
      • Martine Kasmin: Resurfacing
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website