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smi@studiomontclair.org
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  • Exhibits
    • 2026 Exhibits
      • Freedom
      • Wendy Letven: Integrating Elsewhere
    • 2025 Exhibits
      • Not Just Set In Stone
      • Things We Carry: A Contemporary Asian Experience
      • Martine Kasmin: Resurfacing
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
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      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
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      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
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      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
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    • 2021 Exhibits
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      • Inspired by an Object
      • State of the Art 2021
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Michael Kloepfer: Untitled Landscapes (Landscape #13)

Michael Kloepfer: Untitled Landscapes (Landscape #13)

SKU: 2022-412.

– evocative projections of an unreal, dreamlike, illusory utopia, that create a state of timelessness and contemplative silence where we can sink inside ourselves. I am not interested in showing landscape as a geographical point nor as a representation of

Category: Inspiredby_2022. Tags: landscape, nature, painting, Photography, representational, SMI.
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In Untitled Landscapes, analogue photography project ongoing since 1998, I strive to find an approach towards an ideal of a landscape, an archetype of a landscape as painters N Poussin and C Lorrain from the 17th century and later the painters for eg CD Friedrich during the Romantic epoch. I am also interested in paintings and the approach from the Hudson River School as T Cole and A Bierstadt and last but not least George Inness.I am fascinated about the concept and aesthetics of the sublime, which was central to Romanticis

medium

C-print, Edition: 5+2 ap, mounted on Alucobond, oak frame

Website

https://mkmichaelklopfer.wixsite.com/michaelkloepfer

size

39 x 50 inch

price

6200

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  • Exhibits
    • 2026 Exhibits
      • Freedom
      • Wendy Letven: Integrating Elsewhere
    • 2025 Exhibits
      • Not Just Set In Stone
      • Things We Carry: A Contemporary Asian Experience
      • Martine Kasmin: Resurfacing
      • Viewpoints 2025
      • Denis Orloff: A Journey through Painted Landscapes
      • Good Works
      • Strength and Resilience
      • Katie Truk: Macro vs Macro
    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
      • Text
      • Viewpoints 2024
      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
      • Across The Line
    • 2023 Exhibits
      • The Life and Culture of Modern Day Latinidad
      • Inspired by the Weight of an Object
      • I AM HERE
      • State of the Art 2023
      • Critique Group Showcase 2023
      • ViewPoints 2023
      • Local Materiality
      • Rhythm and Blues
    • 2022 Exhibits
      • On the SURFACE
      • Pages
      • Inspired by George Inness
      • It’s Academic
      • State of the Art 2022
      • Critique Group Showcase
      • ViewPoints 2022
      • Mujeres del 2021
    • 2021 Exhibits
      • Absolute Abstraction
      • Inspired by an Object
      • State of the Art 2021
      • ViewPoints 2021
      • Womyn’s Werq
      • Privilege, Power, and Everyday Life
    • 2020 Exhibitis
      • ViewPoints 2020
      • Inspired by Dance
      • State of the Art 2020
  • Cart
  • Main Website