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Amy Becker: Hutton Street, from the series Dead Ringers: Portraits of abandoned payphones

Amy Becker: Hutton Street, from the series Dead Ringers: Portraits of abandoned payphones

SKU: 2022-105.

The image shown here, Hutton Street, shot in Rhinecliff, NY is from Amy’s series Dead Ringers: Portraits of Abandoned Payphones. Today, with her iPhone camera, Amy seeks these phones with the very invention that has rendered them into relics.
Think of Clark Kent rushing to the nearest phone booth, emerging as Superman ready to save Lois Lane. During the Eisenhower era, college students crammed into phone booths. Those days are over. This century’s rapid embrace of cell phones has dramatically diminished the need for working payphones. Yet many payphones remain standing, scattered throughout the landscape—abandoned, beaten, and disfigured. Amy often finds payphones hidden in plain sight. Others, stripped down to a shell of their former selves, reveal a suggestion of sculpture in metal and plastic.
Dead Ringers depicts the remains of those payphones and the environments in which they exist. Today, cell phones deliver multiple ways to reach out and touch someone. What persists is the need to communicate, anyplace, for any reason, or for no reason at all. Visit amybecker.com
Our photography critique group typically meets about every six weeks. It’s a supportive environment in which all have the opportunity to share work. The feedback helps me to get out of my own head and gain fresh perspective on my photography. I find the group’s collective input enriching and very helpful on what is and is not working with my images. I also find it rewarding to hear others speak about their own work and process, and then discuss it with the group. When I reflect on the five-plus years of our group’s existence, I’ve been struck by the range, quality, and growth of our members. Meanwhile, I’m looking forward to the day we can safely meet again in each other’s homes, where we can share prints and thoughts on our work in person.

Category: Critique2022. Tag: Photography.
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Amy Becker is an award-winning New Jersey-based photographer whose work typically depicts visual stories that emerge from the random interaction of everyday moments and found objects within their natural environments.

In 2021 Amy was awarded a Fellowship for photography from the New Jersey State Council on the Arts. Additionally, she recently had a solo show at Monmouth Museum in Lincroft, NJ, as part of the 2020-2021 New Jersey Emerging Artists Series. Beyond the Garden State, she has exhibited in museums and in nationally recognized fine art photography venues, such as the Center for Fine Art Photography in Colorado, Soho Photo in New York City, Houston Center of Photography, and Chicago’s Filter Photo Festival. Additionally, her work has been included in exhibitions in Philadelphia, Minneapolis, Providence, Vermont, and Oregon, as well as regional educational institutions. Media recognition of her work has appeared in The Guardian and many photography publications, including Lenscratch, Photo Review, and Fraction Magazine.

Amy is trained in both traditional and digital photography. Her formal background includes coursework at the International Center of Photography, as well as numerous workshops. A graduate of Boston University’s School of Communications, she enjoyed a career as a copywriter before becoming a photographer.

medium

archival pigment print

Website

www.amybecker.com

size

10×7.5" print/20×16" frame

price

700

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    • 2024 Exhibits
      • Dwelling In Hope
      • Donna Grande: Evolving Origins & Liminal Perceptions
      • Inspired by Family & Community
      • State of the Art 2024
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      • Yvette Lucas: Second Nature
      • Black and White Imprint
      • Marsha Heller: Impressions from Nature
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      • Inspired by the Weight of an Object
      • I AM HERE
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      • Inspired by George Inness
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      • Privilege, Power, and Everyday Life
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